The ceramic plate undergoes four firings in the kiln before it is completed. Although the process is labor-intensive, I often wonder why it’s difficult to assign value to craftwork. I have a strong desire to elevate ceramics into something more highly valued.
Murakami-san is one of the artists I respect most, and working with her is always enjoyable.
Although we live far apart, in Kyushu and Tokyo, we share the same vision and passion, constantly inspiring each other to create something wonderful together.

“Abstract Calligrapher” / CHIMA

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