Introduction of Artist

Influenced by his father, who is a Nihonga painter, KISHINO Den aspired to become a calligrapher and enrolled in the Calligraphy Department at Daito Bunka University.
Upon entering, he was amazed by the skill level of his peers and felt that he couldn't keep up, leading him to explore different paths. This is when he found his way into the world of Hyogu (mounting).
He trained for about seven years in workshops that re store national treasures and important cultural properties, as well as in workshops associated with Todaiji Temple in Nara Prefecture. However, he also had a desire to create new works, so he eventually became independent.
Since becoming independent, he has worked with many contemporary artists to explore forms of Hyogu that suit modern times, while also creating traditional hanging scrolls used in tea ceremonies and temples.

Message

Hyogu refers to the process of mounting artworks created on paper or silk into hanging scrolls, folding screens, hand scrolls, and framed works, as well as the general term for these works. The craftsmen who make this their profession are called "Hyogushi."
The materials used include textiles called "Kireji," which are high-quality fabrics like silk and cotton, washi (Japanese paper), and glue to bind them together. "Kireji" are high-quality fabrics produced similarly to Japanese kimonos. Various types of "washi," including those registered as a UNESCO intangible cultural heritage, are utilized.
In hanging scrolls, a distinctive feature is the use of "Kireji" to decorate the area around the artwork. Since the culture of hanging scrolls was transmitted from China to Japan, for hundreds of years, Japan has developed its own unique balance to enhance the artwork, thanks to the accumulated experience of Hyogushi and the knowledge of their predecessors.
Each artwork varies depending on the artist. Determining the appropriate process for each piece requires significant experience. Additionally, one important job of a Hyogushi is to restore old works to preserve this cultural heritage for future generations. Unfortunately, Hyogu is becoming a forgotten art in Japan over time. To keep Hyogu alive, it is essential to preserve traditional expressions while also incorporating new ones.