The ceramic plate undergoes four firings in the kiln before it is finished. Although the process is labor-intensive, I often wonder why craftwork is so undervalued. I have a strong desire to elevate ceramics to something more highly regarded.
Murakami-san is one of the artists I respect most, and working with her is always a joy.
Even though we live far apart, in Kyushu and Tokyo, we share the same vision and passion, constantly inspiring each other to create something wonderful together.

“Abstract Calligrapher” / CHIMA

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